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Archive for the ‘Quotation’ Category

Nota Bene

Here, in his most full-throated fashion, Kundera sets forth his central thesis that art—and the novel, in particular—operate above and beyond History. I don’t begrudge him the point, at least as it pertains to history with a capital H. But he’s wrong, I believe, to suggest that a novelist can escape the duty to hold [...]

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Nota Bene

Another passage from the new Kundera book.
We will understand nothing about the novel if we deny that it has its own muse, if we do not see it as an art sui generis, an autonomous art. It has its own genesis . . . its own history . . . its own morality (Hermann Broch [...]

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Nota Bene

This week, I’m reading The Curtain: An Essay in Seven Parts, by Milan Kundera. The book, fresh from the presses (the New Yorker published excerpts from it earlier this year), is Kundera’s latest attempt to construe a poetics of prose—a deep theory of the novel as a distinct art form. Here, he begins to make [...]

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Idol Threat

Would you mess with this fellow? He is Shiva—Shiva the Destroyer, to you and me. In the Mahabharata (according to Priya Hemenway, author of Hindu Gods), he bears no less than 1,008 names, a different one for each of his many incarnations: the Lord of Sleep, the Lord of Songs, the Lord of Fire, the [...]

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Nota Bene

I’m a jogger. Putting my legs through piston-like paces, revving up my heartbeat, giving the gland that secretes endorphins a good bitch slap—for me, this is a critical therapy. I do it because I need to. But for simple enjoyment, nothing beats a stately, vigorous stroll through congenial terrain. So I take Jan Morris’s point [...]

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Nota Bene

TV makes you stupid. It’s not an original insight, but back in 1980 the writer George W.S. Trow wrote an essay in the New Yorker that cast a particularly cold and waspish eye on the subject. Television, he suggested, had settled on the land like a slow, soft apocalypse, laying waste to every force in [...]

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Nota Bene

Ah, distinctions—tart little appetizers for the mind. I like this one, from Within the Context of No Context, by George W.S. Trow (1981):
A tease is a con. You press a spot because you know that it can be pressed, and while the sucker is feeling the pleasure or the pain resulting from the pressure, you [...]

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Nota Bene

In my review of Brick, I commented on the retro glamour that spreads a shimmery finish across a lot of film and fiction in the noir mode, obscuring the bleak vision underneath. Scraping away that finish can be a good thing, and so it is in Brick. But the style and scenery of classic hard-boiled [...]

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Nota Bene

Adam Gopnik, in a piece about Kingsley Amis (“The Old Devil,” The New Yorker, April 23, 2007), adduces a transatlantic divide in favored types of satire:
The Larry David character [in "Curb Your Enthusiasm"] doesn’t mind keeping up the nice-guy act so long as he never actually has to do anything unselfish; the Amis men expect [...]

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